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Home    Review Archives    Posters    Interview Archives    History of Cranky

Brid Brennan
Brid Brennan
as Agnes

A Cultural Guide To

Dancing At Lughnasa

CrankyCritic® StarTalk

Catherine McCormack
Catherine McCormack
as Christina

If you've already scanned through Cranky's review of Dancing At Lughnasa, you already know that he had some real problems with the film. So the man went straight to the horses mouth, and with the aid of stars Catherine McCormack and Brid Brennan, has filled out all those bits and pieces of the story that passed him by the first time. If you are inclined to see the film, here's hoping that my feeble efforts aid in your enjoyment.

dlstreep.jpg (6110 bytes) This is Kate Mundy, the eldest of the 5 sisters. She is a wee bit maternally possessive of her nephew Michael. A staunch Catholic, she dislikes the annual celebration of the pagan Festival of Lugh, the Goddess of Light and Music. She doesn't like her sisters singing "pagan" songs in her house. Kate is played by film titan Meryl Streep.

Catherine McCormack: Meryl didn't come on like a titan. She just came and became one of the women in this film. She is very down to earth. She had a passion for the story itself. It was a wonderful collaboration. You have your preconceptions beforehand but, on meeting the woman, she was like everyone else in the group. She came to it with no baggage at all. I think she may have herself been intimidated coming into the play, which was largely composed of Irish and English. I was more intimidated, actually, about working with Brid, who created the role.

CrankyCritic: Do you really worry about comparisons between the stage actress and the film role you're going to do? Is that something you considered when you took the job?
Catherine McCormack: No. I didn't worry about comparisons outside the film. It's a film. It's a different medium. When we first came together I was slightly intimidated by Brid, who played Agnes for two years. That was my only worry. I'd seen the play and it was fantastic. There was that first moment of thinking "Am I going to be compared to ... "
Brid Brennan: and I was deliberately trying to intimidate you [laughs]
Catherine McCormack: and you did [laughs]

McCormack in BraveheartCrankyCritic: Catherine, it's still very early in your career and already you've been face to face with stars like Mel Gibson and Meryl Streep. . .
Catherine McCormack: I feel very fortunate. I came from a drama school in which we only studied theater. I had no knowledge of film whatsoever from my training. I've learned a lot from the screen and still am. The first film I did was a very low budget British film called Loaded. I was terrified throughout. I used to watch a lot of film but I didn't have a passion necessarily to be a film actress. I'd love to go back to theater just because I loved it when I was at school. I had a passion for that.

Agnes is the quietest of the sisters, perhaps the plainest of the lot as well. She takes it upon herself to try to protect the weakest of the ladies, a simple sister named Rosie. It is a role that won Brid Brennan a Tony Award for her Broadway performance.

CrankyCritic: Brid, how did portraying Agnes differ from stage to screen?
Brid Brennan: The very obvious difference is that the play was opened up into the landscape. It sets these women in a relief that you don't see on stage. There was a suggestion of that world outside on stage. On our set there was a cornfield. To walk onto the set you had to walk through the field. This image of a golden memory and looking back on it, and then the darker threatening sort of scenes emerge. The film, of course, it takes you right out on to that landscape.

This is Father Jack, the brother who has just returned from missionary work in Uganda. He's a bit tetched in the head, but no one talks about his strange obsession with the pagan ways of the Africans.

Brid Brennan: I think they're doing that with looks, y'know, and not daring to speak that word. Each sister has a different attitude to him and each sister is weighing it up in her mind. They couldn't know what he's been in contact with there. It's particularly frightening to Kate, the eldest sister, who is a woman who has a very strong sense of how things should be.
Catherine McCormack: It would probably take a long time to confront the person and talk to him, which is exactly why none of them do. For my character, I last saw him when I was such a young girl that I'm just confused. Was he always like this?

Brid Brennan: We would never have known. We didn't have the language to go up to him and say "look jack, we think you've become a pagan..." [laughs]. There is so much secrecy in that society, so much pretending we don't know anything about it. Jack's completely fallen in love with the life and culture of Uganda, with the dancing and the ritual. What he sees as being closer to nature, much more in touch with the Spirit.
   When I did the play, an elderly friend of a friend came to see it and she said she had been to Africa in these missions and she said "I knew thousands of Father Jack's." Strong upright Catholics going to teach the rest of the world how to live, all returned so completely seduced by the culture and ways of living.

Gerry Evans is the father of Christina's son, Michael. He's never stayed; in fact he's only come back to tell his "love" that he's off to war in Spain.

CrankyCritic: Why is it that Christina let Gerry get away?
Catherine McCormack: Because she loved him and she couldn't stop him. She couldn't dictate to him what his live should be. She accepted him for what he was. A wanderer. Someone who could never settle. She desperately wanted him to stay. She wanted a different life but it was never going to happen. She had come to terms with that.

CrankyCritic: What should we know about Agnes?
Brid Brennan: Agnes has a tremendous propensity for love and also a great deal of anger inside her, which she really sat on. When the film opens, she still has hope for another life. She doesn't exclude love from that notion of another life but I think she can be pretty sure that it's passed her by. The hope is still there. I think she likes a certain amount of order, which there is in this household, part of her likes that. I like to think of this woman as having a strong streak of subversion somewhere.

And, finally, the Secret of the Dance!

CrankyCritic: I got a real sense of these women living with all these raging emotions bottled up inside them
Catherine McCormack: That's why the dance scene is such an incredible scene. It's the scene I remembered most from seeing the stage play. It's because of all that pent up emotion and suddenly there's a release of emotion; It's just so freeing and beautiful to watch because you felt these women should experience that. They connect all together at one stage of their life. They do love each other but always seem to be at loggerheads with each other. For all of them to come together in such a magnificent way.
Brid Brennan: The dance is a good metaphor for just grabbing hold of life and just going for it. It's sort of poignant when they look at each other at the end of the dance and they feel a certain amount of shame and embarrassment for letting go like that.

Hopefully, if you stomp on down to see Dancing At Lughnasa, you'll be more informed than Cranky was when you sit down. Perhaps the fine performances will mean more to you than they did to me.

More on Dancing At Lughnasa:
Cranky's Review
The Dancing At Lughnasa website

 
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