|
![]() by Paul Fischer |
|
support the site! | ||
| Home Review Archives Posters Interview Archives History of Cranky | |||||
If you've already scanned through Cranky's review of Dancing At Lughnasa, you already know that he had some real problems with the film. So the man went straight to the horses mouth, and with the aid of stars Catherine McCormack and Brid Brennan, has filled out all those bits and pieces of the story that passed him by the first time. If you are inclined to see the film, here's hoping that my feeble efforts aid in your enjoyment.
Catherine McCormack: Meryl didn't come on like a titan. She just came and became one of the women in this film. She is very down to earth. She had a passion for the story itself. It was a wonderful collaboration. You have your preconceptions beforehand but, on meeting the woman, she was like everyone else in the group. She came to it with no baggage at all. I think she may have herself been intimidated coming into the play, which was largely composed of Irish and English. I was more intimidated, actually, about working with Brid, who created the role. CrankyCritic:
Do you really worry about comparisons between the stage actress and
the film role you're going to do? Is that something you considered when
you took the job?
Agnes is the quietest of the sisters, perhaps the plainest of the lot as well. She takes it upon herself to try to protect the weakest of the ladies, a simple sister named Rosie. It is a role that won Brid Brennan a Tony Award for her Broadway performance.
Brid Brennan:
I think they're doing that with looks, y'know, and not daring to speak
that word. Each sister has a different attitude to him and each sister
is weighing it up in her mind. They couldn't know what he's been in contact
with there. It's particularly frightening to Kate, the eldest sister,
who is a woman who has a very strong sense of how things should be. |
|||||
|
Brid
Brennan: We would never have known. We didn't have the language to
go up to him and say "look jack, we think you've become a pagan..."
[laughs]. There is so much secrecy in that society, so much pretending
we don't know anything about it. Jack's completely fallen in love with
the life and culture of Uganda, with the dancing and the ritual. What
he sees as being closer to nature, much more in touch with the Spirit.
Gerry Evans is the father of Christina's son, Michael. He's never stayed; in fact he's only come back to tell his "love" that he's off to war in Spain.
And, finally, the Secret of the Dance! CrankyCritic:
I got a real sense of these women living with all these raging emotions
bottled up inside them Hopefully, if you stomp on down to see Dancing At Lughnasa, you'll be more informed than Cranky was when you sit down. Perhaps the fine performances will mean more to you than they did to me. More on Dancing
At Lughnasa: | |||||