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Home    Review Archives    Posters    Interview Archives    History of Cranky

by Paul Fischer

With the release of The League of Extraordinary Gentlemen, Peta Wilson joins part of the new peta wilson in LXGHollywood elite. The down-to-earth Wilson joins with Hollywood legend Sean Connery, who plays renowned adventurer Allan Quatermain, leader of a team of legendary figures with extraordinary powers who will battle the technological terror of a madman known as "The Fantom." This "League" comprises seafarer/inventor Captain Nemo, vampiress Mina Harker (Wilson), an invisible man named Rodney Skinner, American secret service agent Tom Sawyer, the ageless and invincible Dorian Gray, and the dangerous split personality of Dr. Jekyll and Mr. Hyde.

League is certainly a big film for Wilson's first venture into mainstream Hollywood, and the actress is unconcerned that audiences may not be focussed on the acting. "There are no pitfalls of doing any job, because you have to work, so you can learn and grow. This is my first big Hollywood film and a great experience. It was difficult for sure, because it is so big. There are so many special effects and actors, but exciting nonetheless." As for the rumoured fighting that occurred between director Steven Norrington and star Connery, Wilson responds carefully. "Do you think such things didn't occur with Kubrick and Polanski? I think Norrington is a genius whom I think is extraordinary and the truth will come out when people see the film."

Wilson was something of a nomad growing up. Born in Sydney, she spent some of her earlier childhood in New Guinea, then all over Australia. One can imagine that having lived such a nomadic existence, would have fuelled in her a desire to act, but not necessarily, she says. "When I first studied drama, I didn't really know what I wanted to do. My family, though, all thought I was an actress from the day I was born," she says with a laugh. "I went to drama school in the hope that by studying it properly, I'd get whatever was inside me out of my system. Then I could be a nurse or have a normal job and settle in one place." Of course, the best laid plans and all that. For Wilson, her love of acting had to do with fitting in as a kid, "emulating what a lot of the other girls I went to school with, were good at," she says. "I loved the art form of investigating another person's life."

Peta never pursued her dream to act professionally Down Under. It was a broken love affair that brought her to the States. "When we broke up, I did the classic thing and said I'm leaving to travel across America." The 20 year old Wilson had actor friends in LA but no plans to take on Hollywood. "But then this friend, who was an actor, suggested I do it. He put me in touch with the teachers he'd worked with." Wilson studied acting for five years, she recalls, before eventually hitting the pavements of Hollywood, nerve-stricken, following every meeting and audition. Roles in lesser known films such as 1995's The Sadness of Sex and Naked Jane quickly followed, before, two years later, she landed the title role in the TV hit Nikita.

Wilson admits that she still gets nervous before undertaking a new job, but all that's quieted down since giving birth to her son 16 months ago. "He's my priority and so much more important, so I don't get as nervous anymore. I'm much more relaxed, which just makes my life as an actor more enjoyable." Wilson refuses to talk much more about her child, or her child's father, though she ventures that "I am not taking care of my son on my own. I'm not a single mother and his father's very much in his life." Wilson is philosophical as to how the possible success of her first big Hollywood outing will effect her career and life, taking it all in her stride. "I really hope it does well, because I've got a little baby and I'd really like a great job. But having said that, I made a decision when I had my son, that he was the most important thing in the world. So if I get another great job, fabulous, but if nothing happens to me, and I've just got my son, family and friends and I'm doing well."
 

The Cranky Critic® is a Registered Trademark of, and his website is  Copyright © 1995-2012 by, Chuck Schwartz. All Rights Reserved. Articles and interviews by Paul Fischer are Copyright © 1999 - 2006 Paul Fischer. All Rights Reserved. All images, unless otherwise noted, are property of and ©, ®, ™ their respective studios. Used by permission. Not to be used or copied for any commercial purpose. Academy Award™(s) and Oscar®(s) are registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.

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