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Home    Review Archives    Posters    Interview Archives    History of Cranky

by Paul Fischer

The room in the Beverly Wilshire Hotel is, not unexpectedly, simply buzzing. A group of eager journalists have gathered on a Saturday night to discuss one of the year's would-be blockbusters: Steven Soderbergh's smooth and ultra cool reworking of the 60s Rat Pack caper flick, Ocean's 11. Several comfortable armchairs are positioned on the dais, as we await the arrival of our stars. Not any stars, but stars that together, electrify and fascinate the waiting media throng. The wait is over half an hour later, but then one knows that much like their film, we're in for a good time. The best way to explain it is to show the sometimes witty exchange between stars and filmmakers, and media, gathered to celebrate the arrival of Ocean's 11, the Vegas-set caper movie revolving around George Clooney's Danny Ocean and his seemingly impossible plan to rob the vaults of Las Vegas' Bellagio Casino from under the cool eyes of owner Harry Benedict (Andy Garcia), who happens to be dating Ocean's ex-wife Tess (Julia Roberts). He has to enlist the best crew imaginable, headed by long time friend Dusty Ryan (Brad Pitt). Helping to discuss their work in the movie is a group of charming superstars and filmmakers, all who have their unique say, sometimes serious, other times not quite. On the dais are Jerry Weintraub, whose forty years as a producer includes credits on films such as Nashville, Oh God, all three Karate Kid movies and All Night Long; director Steven Soderbergh, one of the most prolific and gifted filmmakers of his generation, Oscar winner for Traffic, whose Erin Brockovich showed us a new side to one Julia Roberts. Plus the stars: George Clooney, Brad Pitt, Julia Roberts, Matt Damon, Andy Garcia and the perennial scene stealer [both on and off camera] Don Cheadle. What follows is a lengthy conversation between us and them, and we'll take credit for all the questions 'cuz it's our site... <g>

CrankyCritic.com: Did all you guys stay at the Bellagio while you were filming? What did you do when you were in your down time? How did you take advantage of being in the city?
Julia Roberts: We did stay at the Bellagio, yes.
Don Cheadle: I stayed in my car.
Brad Pitt: You need a new agent
Andy Garcia: I personally never did any gambling while I was there. I like to play black jack here and there but, it was odd, when I left I never sat down at a table. I guess I was delusional enough to know that it was my casino.
George Clooney: Well, I mean you guys know me well enough now to know that I'm a method actor. I spent years training for the drinking and carousing that I had to do in this film. I was perfectly prepared for it, I gotta tell ya.
Matt Damon: George told me 6 months before the movie that we really got to start on our research, so we went to Vegas.

CrankyCritic.com: What is the downside of working in Vegas?
Matt Damon: Um, well, I can't see a downside to it. [laughter all around]. For me, it's really more about the group of people that you're with in determining how much fun you're going to have. You get a good group of people like this, Steven has his own crew that he works all the time, and those guys are amazing. Julia said that the best time she ever had on a movie was on Erin Brokovich. I think that kind of speaks to the atmosphere that you create.
Jerry Weintraub: Vegas was very helpful to us. It is a 100 billion dollar set that you couldn't recreate in Hollywood, because you have all of these magnificent hotels and you have the whole strip and you have everything that we wanted to have right there. It also gave the actors a feeling of really robbing these casinos, which they really did. Nobody knows exactly how much money George won but ...
George Clooney: Oh, I lost. But not too bad. I'm not a big gambler.

CrankyCritic.com: George, since this is your second time working with Soderbergh, what makes him such an appealing director to work with?
George Clooney: Well, mostly you feel sorry for the guy because he can't get work; he's on his last leg financially. I don't know, look, you just want to work with the best directors you can, period.
CrankyCritic.com: Julia, what is it about him that makes him so exceptional for you?
Julia Roberts: I just really like Steven. I think that he has a very deep respect and appreciation for movies and a great story told well, and that in conjunction with his own intelligence. Also he contractually hires the handicapped, when it comes to acting, you know, it's a good combination. I have a kind of reckless abandon when it comes to my job, and he has precision. I think those two together work most of the time. I think they do.

CrankyCritic.com: Steven, when you do a remake or an adaptation, how do you make it uniquely yours?
Steven Soderbergh: I put my name on it so I make it mine. I think the key is trying to, I mean, I've done two remakes. One, I think one turned out not well and one that I think did.
Brad Pitt: Which one didn't?
Steven Soderbergh: The Underneath. I don't know, the best analogy I think is best when you come up with a take on material that from top to bottom revises and re-imagines everything about the movie. It's sort of the equivalent of, like, Joe Cocker's version of "With A Little Help From My Friends," great original song, you think a Beatles song, you don't wanna touch that. His version of it is amazing and completely different than the original song. I think that's the way you have to think. Start from the ground up and just rebuild it. That's what Ted did in the script, and I sort of followed that.

CrankyCritic.com: Matt, when you play the lead role in so many films, how do you make the transition to sharing the spotlight?
Matt Damon: It's not really a transition, you know. Here's the thing: I want to look at movies that I did when I'm older and look back on the whole titles on a sheet of paper and be proud of them. This is one of those movies where the script is really tight and structured really, really well by Ted Griffin. Plus Steven Soderbergh as director. It really wasn't rocket science, you know, for any of us to be a part of this ensemble; it's going to a good movie, it's going to be fun and entertaining and it's going to be special and we'll be proud of it when we're done.
Andy Garcia: We just wanted to work with Jerry Weintraub
George Clooney: Before he died.

CrankyCritic.com: Julia, with all the testosterone on this set, I was wondering, what was it like to be the only girl?
Julia Roberts: It was nice to be the only girl. I thought it would be a more kind of queenly experience. It's something that never happened to me in high school, but it wasn't really that. No, it was really, fun. I just knew that come what may, that would be my distinction. I would forever be 'the girl', and nobody could change that, so George tried.

CrankyCritic.com: Don, do you have any plans to do a lead role?
Don Cheadle: No. Never wanna do one.[LAUGHING]
CrankyCritic.com: You're known to be a scene-stealer in movies. So, assuming you would like to have a leading role, describe the ideal part for you, what would be the ideal project or the ideal part?
Don Cheadle: Well, I'd gotta be naked, I really do. Um, no I don't know. There are many, many stories out there. I'd love to do something around that cool jazz era. There's just tons of stories as long as they're well written and well conceived. There's just not a lot of them out there.

CrankyCritic.com: How do you guys look at the rat pack and the way they were together, did it influence your work?
George Clooney: The movie is such a re-imagining that what it has in common with the old one is that it's called Ocean's 11 and that Danny Ocean gets 11 people together to knock over more than 1 casino. That's about it. I think we were all leery in looking at it closely. That movie had so much of their charm; if you enjoy that movie it was because it was fun to watch and knowing they had a fun time making it. We made it more than that going into this one.
CrankyCritic.com: Can you guys look at their patterns and interact with their dialog?
George Clooney: No, I mean the thing is, I mean at least for me I love those guys, these are heroes of mine. They were hysterically funny together, but I'd watch them drink a beer. They are just the coolest guys ever. But we weren't trying to do that. We never looked back at that, we never once said, "Oh this is sort of like Frank and Sammy and Dean; that never really existed. This is a whole movie unto itself. Now, as we start to sell the movie, of course, I have to talk about it and that's fine. It's part of it. But, you know, we're never going to be as cool as those guys. That's their thing, you know? That's why that movie was successful We just went in and just had a blast.

CrankyCritic.com: George, your first work as a director is going to be Confessions of a Dangerous Mind, a really complex, dark and dry piece. It doesn't seem like, doesn't seem like a comedy.
George Clooney: It doesn't seem like a comedy? I told everybody it was a comedy. Don't tell Julia that, or I'm in deep ****.
CrankyCritic.com: What are you doing to prepare everybody and prepare for the film?
George Clooney: Nothing. I just show up and they just do it and I just go home. I've been working on this for almost a year now, you know. I've worked with Joel and Ethan (Coen) and they, storyboard every single shot the entire film and so I did that, working every single day. I didn't do this because I said I wanted to direct. I did this because the film kept falling apart and I wanted to get this movie made because it's really one of the best scripts in town. I figure if I screw up at least I'm working on the best script in town and at the very least I'm going to be protected by a good script.

CrankyCritic.com: Brad, just a two-parter about your Friends episode, I was wondering what took you so long to do the show and secondly . . .
Julia Roberts: Just be glad he DID it, don't say what took you so long.
CrankyCritic.com:
And secondly, how was your doing the whole fat suit story line?
Brad Pitt: Well, I don't do a fat suit thing - that's just history on the character. Yeah, there's none of that.
CrankyCritic.com: What led you to do the show?
Brad Pitt: Self-promotion for Spy Game. [CHUCKLING] No, let me clear this up because I dearly love this show. Very much. Long before I met my wife (Jennifer Aniston), even. It makes me happy this show, so I had a great time doing it with these guys, and, um, in these times, entertainment is, I believe, is very important. We just wanted to get out and do something.

CrankyCritic.com: Brad, it seems that you're one of those specific stars, who is still surprising people. Is it hard not to kind of play the "Brad persona" and get those kind of roles? I mean is that a problem in Hollywood?
Brad Pitt: No, not. well, listen, there's a handful of us that could - what I'm saying is the leading man's been done, and been done really well, a million times by some very great actors, and I guess it's just, it's just sometimes more fun to go the other way. The great thing about my baggage, as limiting as it may seem, it also sets me up for that kind of surprise and then people go. That was great, where did that come from?

CrankyCritic.com: You guys are known as some of the nicest guys in show business. Has it become harder to be nice the more successful you get?
George Clooney: Hey **** you man. [Laughter all round]
Andy Garcia: I don't know, if that has to affect anything; the fact that we happen to do something that is in the limelight and blessed to have the opportunity to do what we do, and the fact that that brings a certain amount of celebrity because you are in films, does not give you the permission to be an ass. You know, the most important thing in life is how you conduct yourself. That's the legacy you leave behind for your children and hopefully for your friends that outlive you to think about you. That's what it's all about. Your work is secondary.

December 2001
 
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The Cranky Critic® is a Registered Trademark of, and his website is  Copyright © 1995-2007 by, Chuck Schwartz. All Rights Reserved. Articles and interviews by Paul Fischer are Copyright © 1999 - 2006 Paul Fischer. All Rights Reserved. All images, unless otherwise noted, are property of and ©, ®, ™ their respective studios. Used by permission. Not to be used or copied for any commercial purpose. Academy Award™(s) and Oscar®(s) are registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.
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