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Home    Review Archives    Posters    Interview Archives    History of Cranky

by Paul Fischer

Keanu Reeves has always had the reputation of revealing nothing to the press
keanu reevesEven those who work with him find him a tough nut to crack. His co-star in the Matrix films, Laurence Fishburne, laughingly admits that "I've been working with him for five years and I can't tell you a thing about him." Keanu isn't about to make our lives any easier. Sitting on a studio sound stage and feeling more relaxed than usual, trying to get to know the real Keanu is simply a waste of energy. As good natured as he is, he is not prepared to divulge to the press what Fishburne was unable to uncover over five years, laughingly saying that "Oh yeah, you'll get that right here," when asked what the real Keanu is like. He relishes being an enigma and is happy to remain that way. "No, I want to sit here and cry and reveal my self to you all you crazy guys." At least the now 38-year old star has managed to develop a sense of humor.

When it comes to discussing the work, however, Reeves is more passionate, especially regarding the latest Matrix installment Clearly one of the year's most anticipated films, Matrix Reloaded again casts Reeves as Neo, aka Thomas Anderson, who, along with the rebel leaders, estimate that they have 72 hours until 250,000 Sentinels tunnel beneath Earth's crust to the city of Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams. In part a Messianic fable, the original Matrix was not only a surprise hit when released in 1999, but its influence on popular culture and cinema in general, remain extraordinary. Reeves is shy in defining the first Matrix's role in pop culture. "I hope that if people did respond to the first one, that they get something out of the second." though he admits that "it certainly influenced a lot of things in cinema."

For Keanu, though an established success at the time of The Matrix, he has gone through a lot in the last five years, both personally and professionally. More self-assured these days, he says that although he hasn't reflected specifically about how he might have changed since The Matrix, "I'll just say I'm older and older. I don't know. It's such a hard question. With any experience you have, you know more about yourself. Through that you discover what is important and there are things that inform you, including the friendships along the way." Including the shoot on the first Matrix, Reeves spent close to two years living in Sydney working on the trilogy, or "basically my whole 37th year working on the last Matrix films." The actor admits that "It was really hard to be away from friends and family that long. In terms of working that way, and working in film, it doesn't happen all the time, if ever, that you have to go for that length of time on a project. And that's okay to me, especially when you love something and you get the extraordinariness of it. It is demanding in terms of missing your friends and family and also applying yourself to your work for that length of time."

It was worth it for Reeves, to suffer through the arduous training and physical pain, in order to help bring the vision of the Wachowski Brothers to the screen. Though he had turned down another sequel [Speed 2], Reeves had become wary about embarking on a project that was less than satisfying. The Matrix changed all of that. "I had also just done Chain Reaction, which was a really bad experience for me. I was tired and these projects were great scripts." He got to finish the story, not because of the extra money and higher budgets, but because the actor felt neo faces his originsthey were important to tell. "If anything, the whole thing of The Matrix in terms of Neo is the birth of this man and this new life. Where does it develop, this relationship between the machines, man and the Matrix. In Reloaded some of the things that came up in The Matrix, in terms of the digital entities and the Matrix being a place to escape to, is also kind of cool."

While Reeves relishes being a part of the Wachowski Brothers vision, it remains a vision that the trilogy's directors themselves won't share with the press. Keanu is reluctant to further define their vision in their place, "because they don't want it defined. I don't think that's something they're interested in giving to anyone who watches the film." But unlike most Hollywood films, this pair of directors was at least able to realize a vision they had been harboring for years prior to the first film. "I think there's always something you wish you could do more of, but we, the brothers Warner Bros and all the producers, were certainly gave a lot of resources to realizing these pictures, and it's great and I think you see it on the screen. There's a lot of movie up there." And Reeves did put more into this latest duo of films than ever before, in terms of training and keeping better in shape. "Some of the things I had to do were a little more advanced such as some of the multi-fighting and the weapons." Keanu and his fellow cast members spent six months in Los Angeles undergoing an intense training schedule, though the actor downplays the rigor of it all. "I just did it through basically practice and learning. Because of the experience of the first one, I had some body memory. I knew what I was going into and so I could pick up the choreography quicker and I knew where I was in wirework. Some of the stuff that was difficult in the first one was kinda like - I know how to do this. And then once I said that, our action choreographer Yuen Wo Ping would say well how about this? Or the brothers would say how about this? So then it was the back flips and the cartwheels." It wasn't easy, and even involved the actor occasionally immersing himself in a bathtub full of ice. "Sometimes what happens during the first four weeks of training, you're basically tearing micro-muscle tissue every day, so you get inflammation. I'm not 22 anymore and bouncing around, so ice and Epsom salts just help the recovery. Also, sometimes, because you're stretching two doing the Superman thinghours a day, kicking and stretching and kicking, you get all those tears and inflammation and I get cramps, so cold water tends to help alleviate that so you can sleep or walk upstairs."

It was clearly worth the pain, because at its core, this trilogy of films delves into greater questions than merely the physical. The Matrix redefined a genre by adding complexity, religious undertones and metaphysical symbolism to a futuristic Biblical tale. Even Keanu admits that in working on both The Matrix: Reloaded and November's The Matrix: Revolutions, he was mystified as to why certain scenes or moments were being executed. "but that's also part of the fun of it for me and the audience. Those questions you have are also strongly Neo's questions such as: Do you believe in fate? Why not? I'm not in control of my own life. That whole thing of asking those questions I think is Neo's journey and it was fun to ask them. I have a feeling about what Neil wants and the brothers had a feeling, so in the second one in an odd way I think they kind of invert what happened. In the first one, Thomas Anderson became Neo; his digital self became his real self and his fear of flying became him flying. There's a certain aspect in Reloaded where the hero gets inverted and we're back to Neo as Thomas Anderson. We see his fears, his personal kind of hopes and his vulnerabilities."

Almost like the actor himself, but he won't say so. The actor is currently shooting something quite different, a the new untitled romantic comedy from Nancy Meyers, co-starring the stellar likes of Jack Nicholson, Diane Keaton, Amanda Peet and Frances McDormand. "It'll be great to finally show off my funny side." And no, he is not in the running to play Superman, he says. "They've all died or have been injured", he says, referring to previous actors cast in the legendary role." Like films that have Johnny in it," he concludes with a wry smile.

 
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The Cranky Critic® is a Registered Trademark of, and his website is  Copyright © 1995-2007 by, Chuck Schwartz. All Rights Reserved. Articles and interviews by Paul Fischer are Copyright © 1999 - 2006 Paul Fischer. All Rights Reserved. All images, unless otherwise noted, are property of and ©, ®, ™ their respective studios. Used by permission. Not to be used or copied for any commercial purpose. Academy Award™(s) and Oscar®(s) are registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.
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