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Ben Kingsley's first appearance in
the dark comedy/thriller Sexy Beast, has him enveloped in a When one thinks of the usually distinguished Mr. Kingsley, one doesn't necessarily
see him as a foul-mouthed psychopath. For Kingsley, getting this most juicy of
parts was born out of a series of mutually beneficial circumstances. "It
so happens that, fortunately, there's a connection between my Most actors need to have something of the characters they play inherently within them. In the case of Kingsley and Sexy Beast, he had little time to prepare, as he was involved shooting other films, and had to arrive on set already immersed in the character. "I couldn't do any research on this bloke. I mean if I were to walk into any English pub looking for someone like Don, I'd get killed for starters. So I would talk a little bit about what he might wear and the fact he'd wear tattoos, but once they yell 'Action', at the end of the day all the tattoos in the world aren't going to help you, if you have not accessed some essential quality in you that can be used for Don." So while Kingsley would never become Don, he explains, "but the rage, the obsessive quality all came from somewhere in me, nothing is an impersonation." A frightening prospect, one suggests. "It would frighten me if I were to learn somewhere along the line that all of those emotions had been suppressed throughout my entire life, that would be very scary, because nature would express them, somehow, in some form." Kingsley describes his job as being empathetic and illustrative, and my job is to portray people and a lot of good portraits say as much about the portrait artist as they do about the portrait." Truth is an important quality for Kingsley and insists that his films should "reflect who we are, where we are and why we are. I was fortunate as a young actor," he explains, "to go straight to the Royal Shakespeare Company, where I learned that being an actor can bring with it wonderful responsibilities." The son of a Ugandan Asian doctor and christened Krishna Bhanji, Kingsley - the name came from his grandfather, a Zanzibar-based spice trader nicknamed King Clove - fell in love with theater when he saw Ian Holm's Hamlet. He was soon starring in Coronation Street; Brian Epstein |
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The Beatles management, however, sought to lure him into rock music. "I wonder
if I'd still be alive by now," Kingsley reflects. "As a singer, I might
have fallen among thieves." Instead, the theater beckoned. Over some 20 years
with the RSC, Kingsley starred in Trevor Nunn's Nicholas Nickleby,
Peter Brook's legendary Midsummer Night's Dream and in the title
role in Othello. He won an Oscar and unanimous plaudits for his starring
role in the epic Gandhi, and continued to do work in grandiose productions
on stage and screen - as well as some less exciting screen work in the likes of
Species, What Planet Are You From, Rules of Engagement and Michael Winner's
notorious 1998 flop Parting Shots. As well as such Hollywood favorites
as Dave, Schindler's List and the very recent TV miniseries Anne Frank,
to name a few. Kingsley says that these days, he is at his most creative. "There
is a lot of creative energy in me right now. In the work I'm now doing, I know
that my soul - my soul - is fully articulate."
A 'Grande Homme' of the British theater, Kingsley has fallen in love with cinema all over again, and is currently putting the stage on hold. "There are so many more opportunities for me on film, and I am involved in so many projects, the theater just has to wait. I'm producing and actively developing films, it's a wonderful time for me." Kingsley is a self-confessed workaholic, and continues to be driven by a childhood which forbade him to articulate his own desires. "As a child, I was neither seen nor heard. I was not taken seriously. Everything I attempted to articulate was diminished, distorted or interrupted. It's a miracle that I got out of that: affluent, middle-class, horrible. That is why I honor that child and voice in me by saying: 'They're going to hear me, and see me, and I'm not going to be interrupted. I'll put them in a place where they can't interrupt me'." | ||