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by
Paul Fischer Arnold Schwarzenegger
In this timely thriller, British director Roger Spottiswoode (Tomorrow Never Dies) creates a world of the very near future in which cattle, fish and even the family pet can be cloned. But cloning humans is illegal-until family man Adam Gibson (Schwarzenegger) comes home from work one day to find a clone has replaced him. Taken from his family and plunged into a sinister world he doesn't understand, Gibson must not only save himself from the assassins who must now destroy him to protect their secret, but uncover who and what is behind the horrible things happening to him. For the action star, The 6th Day seems something of a departure. "I always look for something different, besides the story and action, as well as something that is timely." In the case of this film, the actor thought a script regarding cloning fitted his criteria. "I said: Gee, on every cover you see today you read about gene therapy, gene manipulation and cloning. Will it ever be allowed? What's happening with animal cloning? There are recently formed companies that actually officially clone animals and pets. As a matter of fact, they came to me for investing in them so I know about this first hand", Schwarzenegger explains enthusiastically. "When you do research for a movie like this, you become exposed to a lot of things that are going on that you normally wouldn't know. I felt that this movie was appropriate with its subject matter, but taking it a step further as is always the case in movies. Suddenly, this guy comes home to his family, but it's not him, but a clone."
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Yet those "mindless action movies" turned Schwarzenegger into a star and icon. Looking at him today, it is hard to believe that it is some 20 years since Arnold became a star with the first Conan. Audiences have changed, the action genre is being reinvented and movie making has taken off in leaps and bounds. For Arnold, it's been an interesting process, one that continues through his work in his latest movie. The scene he is currently shooting, is being filmed on a massive soundstage. A giant helicopter is positioned outside a blue screen. The end result is seamless cinema. "All of this technology has happened so slowly over the last twenty years that we are not as amazed because I see it in front of my eyes, the way we use computers, how they match things together and how I see it replayed today immediately as if I'm out there in a canyon flying; is staggering." In Part II: More on his movies, bodybuilding, politics, violence and other good stuff >>> Copyright ©2000 Paul Fischer | |||