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The Thomas
Crown Affair
Rated
[R], 114 minutes
Starring Pierce Brosnan and Rene Russo;
Denis Leary, Ben Gazarra and Faye Dunaway
Screenplay by Leslie Dixon & Kurt Wimmer
Based on the original story by Alan R. Trustman
Directed by John McTiernan
website: www.mgm.com/thethomascrownaffair
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IN SHORT:
Watching rich folks is a tedious chore.
As always,
no comparison is made to the Source Material, a 1968 film written by Alan
R. Trustman and starring Steve McQueen and Faye Dunaway.
You may remember
Cranky griping about concept over execution in the discussions over another
movie. Well, The Thomas Crown Affair is lovingly executed, but
there's so little story content in relation to scenes of how the richest
of the rich live, as we watch the passionate but romance-less game being
played by the main characters, that you could easily duck out to refill
the popcorn and soda and not miss a darn thing. You could do that several
times and add a bathroom break, too. So, while Cranky sat in his chair
watching the lovely exotic scenery that those who own their own jets can
jet off to when Manhattan gets them down, he got creative. Here now, the
background of The Thomas Crown Affair.
She's a poor
girl from Ohio. He's a poor boy from Scotland.
She got wealthy. He got grand stinking rich. Like Billions.
She likes to chase. He likes the challenge.
She's tempting. He's a temptation.
He steals valuable art. She gets it back for the insurance company.
He
has woman troubles. She has no man. A match made in Heaven, eh?
He's Thomas
Crown (Pierce Brosnan), who buys and sells companies before lunch.
An ex-boxer who has put so many competitors to the canvas that life isn't
thrilling anymore gets his kicks ripping off art galleries. She's Catherine
Banning (Rene Russo), who stands to make a cool $5 millions if
she can find the Monet painting (she's sure) he's purloined in an audacious
attack on the Metropolitan Museum of Art in New York. It's a brilliantly
conceived attack, punctuated by an annoying techno-flavored underscore
by Bill Conti. Director John McTiernan 's languid
direction stretches the thing out way too long for my taste. And we're
just getting started.
McTiernan,
who directed Die Hard, offers up long luxuriating cinematic passages
designed to set a mood of elegance and a rich texture on a cinematic canvas.
As Crown and Banning do their little dance, are they flirting or are they
manipulating each other and if so, is it into bed or into the clink, the
only member of their manage a trois to enjoy the chase is Crown's shrink,
played with an amusing grin, by Faye Dunaway. Crown's inability
to let women get close enough to him, and his attempts to deal with it
(he says he can get a woman to trust him, but never the other way around)
is a running theme. Also in the middle, is Denis Leary as the New
York Police Detective in charge of the investigation, who may or may not
care about the sins of the rich. It's something you may want to debate
when this is done.
He knows he
stole the painting. She knows he stole the painting and is more than willing
to break the law to get it back. When all is said and done, Crown
wants Banning. Banning wants the painting almost as much as she wants
Crown. When he offers to prove his feelings by returning the painting
to the museum, hanging it in the same spot it was stolen from, will she
bust him or will she join him as a fugitive, living the high life on an
island in the sun. The shame is that when this final gimmick comes down,
it's a brilliant scene. A scattering of applause greeted it in the preview
Cranky sat in. There are a couple of surprises held to the very end, but
by then, it's too late. The leisurely pace and padding kill this sucker
dead.
Watching
two rich people that are so cold to the world try to fire up an almost-middle-aged
passion leads to much nudity, but no sense of spark between the pair.
There is more life and spark in the very brief scenes with Faye Dunaway
to put Rene Russo's performance to shame. Brosnan is doing a cold Remington
Steele. The disappointment is such that I may hit the video store to see
what worked about this story the first time out.
On average,
a first run movie ticket will run you Eight Bucks. Were Cranky able to
set his own price to The Thomas Crown Affair, he would have paid...
Rent it.
Lovely scenery.
The
Cranky Critic® is a Registered Trademark of, and his website is
Copyright © 1995-2008 by, Chuck Schwartz. Articles by Paul Fischer
Copyright © 1999 - 2006 Paul Fischer. All images, unless otherwise
noted, are property of,©, ®, T their respective studios and
are used by permission. All Rights Reserved. Not to be used or copied
for any commercial purpose. Academy AwardT(s) and Oscar®(s) are registered
trademarks and service marks of the Academy of Motion Picture Arts and
Sciences.
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