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CrankyCritic®
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Ride with the
Devil
Rated
[R], 134 minutes
Starring Skeet Ulrich, Tobey Maguire, Jewel, Jeffrey Wright
Screenplay by James Schamus
Based on the novel Woe to Live On by Daniel Woodrell
Directed by Ang Lee
website: www.ride-with-the-devil.com
|
IN SHORT:
Not a war flick.
Director
Ang Lee's last two flicks, The Ice Storm and Sense and
Sensibility popped us into the Wayback machine for 1970s Connecticut
and 19th Century England. His latest, Ride With The Devil, again
seeks to create an earlier time, the US Civil War. It's an interesting
approach. Lee uses a story set on the Southern side and far from the organized
army battles in the East. We see how the War was fought in the relatively
wild territory of Missouri and Kansas, where militias and wild bands of
irregulars battled, literally, neighbor versus neighbor.
Begin with
young Jake Roedel (Tobey Maguire), born in Germany raised in the
South. The German community is behind Lincoln, but Jake sides with his
friends, including neighbor Jack Bull Chiles (Skeet Ulrich). After
a band of pro-Northern "Jayhawkers" attack the Chiles house
and kill his father, Jack and Jake join the pro-South "Bushwhackers"
and a guerilla war is on. Their unit includes southern gentleman George
Clyde (Simon Baker) and his freed slave Daniel Holt (Jeffrey
Wright) and a soon to be maniacal murderer Pitt Mackeson (Jonathan
Rhys Meyers). As their first winter settles in, Pitt goes off to fight
elsewhere, George goes off to court a lady, and the remaining men wait
it out in a dugout cave. A local widow, Sue Lee (Jewel) brings
'em food and adds a wee bit of sexual tension to the story.
Rather than
an epic of bloody battles, Ride With The Devil is, essentially,
a buddy story. With dialog scripted in the manner of Southern Gentleman
of that period, you get a picture that Cranky sat through twice. Not because
I was fanatically raving about it but because I know that Ang Lee is a
pretty good film maker. I couldn't figure out why I felt so blasé
about Ride With The Devil. My notes after that first screening,
two months back:
Not enthralling as Sense and Sensibility, not as emotionally
wrenching as The Ice Storm, Ride With The Devil is a decent
story told slowly with more appeal to the guys than to the ladies (the
pair in front of me called the flick "gaseous"). Jewel, in her
first thespian gig is pretty good. Once you hit the fade before the end
titles, you'll have about 45 seconds or so to scoot out of the theater
if you don't particularly want to hear the song she's written for the
film's soundtrack. Cranky doesn't care either way. I just thought some
of you should be warned ('cuz the reviewers in front of me started groaning
and clutching their heads. Some people . . .)
On second
view, with every notion of how a "war movie" should look pushed
to the side, Ride With The Devil came across as a beautifully acted,
very well written story about friendship during war time. The dialog is
so mannered and archaic that it is difficult to listen to. Eventually
you get used to it but doing so may make you miss some of the very understated
things that are going on. Jewel's debut as an actor is much better than
good. There's a whole lot of unspoken communication going back and forth
between Jewel and Maguire throughout the flick, all communicated by their
eyes and all missed by me the first time through. Even when Lee kicks
into war mode, the message he wants to put across is very understated.
On average,
a first run movie ticket will run you Eight Bucks. Were Cranky able to
set his own price to Ride With The Devil, he would have paid...
Ride With
The Devil still feels a lot longer than the two and a quarter hours
that it runs. If I hadn't of second guessed myself after the first viewing,
the rating would have been lower.
The
Cranky Critic® is a Registered Trademark of, and his website is
Copyright © 1995-2008 by, Chuck Schwartz. Articles by Paul Fischer
Copyright © 1999 - 2006 Paul Fischer. All images, unless otherwise
noted, are property of,©, ®, T their respective studios and
are used by permission. All Rights Reserved. Not to be used or copied
for any commercial purpose. Academy AwardT(s) and Oscar®(s) are registered
trademarks and service marks of the Academy of Motion Picture Arts and
Sciences.
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