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Rogue
Comics
Continuity: From Caldecot County, Mississippi.
Her mutant ability means that skin to skin contact initiates a transfer . . .
of memories, of powers (if any) and, if long enough, of life. The first boy she
kissed, Cody Robbins, was put into a coma. Initially a villain (raised by Mystique)
prolonged contact with hero Carol Danvers (aka Ms. Marvel) gave her invulnerability
and the ability to fly. It also gave her Danver's memories which pushed her close
to schizophrenia. came to Xavier's school voluntarily to seek help. When she was
introduced she looked to be in her thirties. Claremont fixed her at eighteen when
she came to Xavier's, though she seems to be settled in her mid twenties in current
continuity. Rogue
has an identifying white streak in her hair. (Avengers
annual 10; Chris Claremont/Michael Golden) In
the Film
continuity: the
most significant change in the character comes from discarding all the continuity
about Mystique being Rogue's "mother".
Tom DeSanto:
We
tried to approach it from that aspect. Trying to squeeze so much information into
a two hour movie, it felt contrived. What if Rogue discovers her powers and has
no one to turn to? And she's in Mississippi in the deep south and no one understands
her and she doesn't understand herself and she's all alone in the world or at
least she feels that way. It's much more of a powerful thing. Also the genesis
of the character Rogue; when she first came to the X-Men she was such a wallflower
and so dressed in layer after layer of clothing; really this tragic frightened
little girl who she spent a lot of time crying on the floor. She was just begging
someone to help her and Xavier gave her that. Through the genesis of the comic,
and I think to a certain extent pandering to the audience, all of a sudden she's
wearing Daisy Dukes and screaming "sugah" and her butt's hanging out the back.
Whoa - what happened to the really wonderful thing and the intelligence of this
character? At a certain point it becomes a little ludicrous.
Setting
her age at about seventeen, we see Rogue's abilities, as well as the trademark
white streak in her hair, develop.
Tom DeSanto:
Rogue is the most cursed mutant. I remember
watching a documentary, I'm going to go off on a tangent, for a second. There
were these four sets of baby monkeys and the first baby monkey was with its mother
and you watched it's normal growth. It was clinging to the mother, an amazing
beautiful thing. The next cage they had taken the living mother out and put in
this terrycloth doll. The monkey would cling to this terry cloth doll and try
to get some kind of connection with it. It did to some extent but as they watched
it grow older it skewed a little off. Walls were up. The next monkey they tore
the terry cloth off so it was just wire, cold mesh thing. The baby monkey would
sit there and it would shake but cling for dear life on to this thing that it
was getting contact from. The last monkey they pulled everything out, and that
monkey sat in the corner and just shook. It was alone and afraid and it was in
need of something. That's really where Rogue is at. She is really alone, even
among the outcasts, which mutants. She's the one who can take your power or your
memory. Her power is such an invasion that it's frightening to other mutants.
As
for her role in this movie,
Anna Paquin
tells us that "I think that next time I'd like to
do a bit of fighting. I spent most of this movie being a damsel in distress. It'd
be fun to do some flying and fight scenes and get rid of the whole 'please come
rescue me' thing 'cuz that seems how I spend most of the time in this movie. Rogue
is not the aggressive, cocky person she becomes by the end of the movie. We start
to see that, once she gets her white streak, and that'll be fun (next time)."
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